My Fair Lady

Epsom Players

Epsom Playhouse

Reviewed by Oliver Cownden

My Fair Lady is one of those perennial musicals that makes a lasting impression with its memorable tunes and immortal lines such as "Just you wait Henry Higgins" and "move that bloomin' horse".

My respect goes to the dedicated Epsom Players team under director Laura Falconer, who seemed to go the extra mile with regards to attention to detail in terms of both costumes, set and performances alike.

Sarah Jane Pullen was perfectly cast as Eliza Doolittle. Her stage presence and sense of timing was reminiscent of a young Audrey Hepburn. Pullen not only managed to capture the essence of the part but her singing and ability to capture the high notes was of a professional standard.

The choreography was excellent – particularly during the scene with the servant's chorus – and the timing and staging were memorable. However, while it is commendable to have so many dedicated actors in a company, there were at least two occasions when the stage was packed and the dance routines looked slightly awkward as they struggled for space for the kicks and changed partners. Less is more is quite apt in this case.

Cris Shepley played Colonel Pickering, Higgins' sidekick, with a lightness of touch that was perfect for the part, although at times his voice projection was not strong enough. Shepley's scene with Higgins where they witness Eliza Doolittle's transformation was a highlight.

James Turnbull as Eliza's father was strong in the dance and group routines and he carried the cheekiness of his part well. James Bailey as Freddy Eynsford-Hill was well cast as the young suitor. He had a highly polished singing voice and captured the character's awkwardness.

Congratulations should go to the cast, musicians directed by Dennis Hooker, choreographer Karen Ward and director Laura Falconer. I look forward to the company's next performance.